The Rijksmuseum, Reborn
By GERALDINE FABRIKANT
AMSTERDAM
ON a wet day in mid-January, Wim Pijbes, the dapper general director of the Rijksmuseum, was showing a visitor a bit of the newly reconfigured institution that has long housed masterworks from the Netherlands’ wealth of grand artists.
Suddenly Mr. Pijbes, standing near the open walkway that will allow the country’s fanatical bicyclists to continue riding through it on their way around Amsterdam, saw something he didn’t like. City workers were starting to demolish parts of the street that is the roof of the underground entrance. Excusing himself, he raced to confer with some yellow-jacketed workers.
It was just the latest in a series of difficulties that have dogged the museum since the national government’s decision more than 10 years ago to upgrade and remodel the museum — a program that has ended up costing nearly $500 million.
The problems will have to be solved by April 13, when the 80-room museum, home to works by Rembrandt, Vermeer, Hals, van Gogh and hundreds of other artists, finally reopens at a black-tie gala hosted by Queen Beatrix at one of her last official events before she abdicates at the end of that month.
Mr. Pijbes and his staff say they believe that the renovated museum will attract two million visitors annually, roughly double the number who have been showing up yearly — even recently, when just 400 works remained on display.